For your reading pleasure, a gem passed on by Marv Newland, via Robin McConnell: A 1981 article from Vancouver magazine by Les Wiseman. It’s a good look at the period when the “underground” scene was shifting into “independent,” and features such major Canadian cartooning figures as George Metzger, Rand Homes, and David Boswell. Enjoy.
The Search for Smilin Ed! by Kim Deitch, a book worthy of attention
As Evan Dorkin and others have mentioned, we’ve had a flood of good (and sometimes jaw-droppingly great) books that haven’t received anywhere near the recognition that they deserve. In response to this sad situation, I’m going to start a feature called PAY ATTENTION, devoted to recent, new and forthcoming books that deserve to be singled out.
The question of why books get ignored is worth puzzling out. Some personal reflections might be in order: when I worked on the first Walt and Skeezix book, I wasn’t sure how it would be received and was pleasantly shocked at the number of reviews it got, often in very prominent places (Playboy, the Washington Post, the New York Times, etc.) It wasn’t just the number of reviews and their high-visibility that was gratifying. A surprisingly large number of the reviews were very thoughtful and responsive to King’s work.
So why did the first Walt and Skeezix do so well in the public notice sweepstakes? A lion’s share of the credit has to go to the fact that Peggy Burns has claims to be the most talented publicist in comics. Chris Ware’s eye-popping design on the book played no small part in making it a volume that couldn’t be ignored, as did the stellar production work of the D&Q staff. But part of the story is also one of timing. We were early in the reprints game. The complete Peanuts series and the Krazy & Ignatz series had already started, which gave a context for people to understand the book. But there wasn’t a lot of other competition around. Frank King had the novelty factor going for him since no one had seen those daily strips in decades.
I’ve been lately stuck on writing briefly about books, which strikes me as a peculiar kind of rut — reviews are ubiquitous online, so why do it here? Well, much of my interest in comics lies in accounting for and understanding the history of comics, and so making sense of the overwhelming diversity of subject matter and approaches in all of these books rolling out month after month. Lately I’m most intrigued by books that either (a) explore a hitherto distant figure like Mort Meskin or (b) present a compellingly fresh (for comics anyway) approach to the history of the medium, which brings me to Holmes (more on Meskin soon).
Patrick Rosenkranz’s The Artist Himself: A Rand Holmes Retrospective is a companion of sorts to his previous book on Greg Irons and of course his Rebel Visions: The Underground Comix Revolution 1963-1975. What makes The Artist Himself unique is in the title itself — Rosenkranz has constructed a sprawling portrait of Rand Holmes as a man in conflict with the “the artist himself” — a man trying to carve out a way to live that allowed for art (never an easy feat) and an art that somehow made sense in his life. (more…)
