Posts Tagged ‘Pittsburgh’

PIX 2010 audio interviews


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Saturday, December 18, 2010


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Hello and welcome to ComicsComics weekend edition. This week I am presenting a slew of interviews I conducted with a plethora of cartoonists who exhibited at this year’s Pittsburgh Indy Comics Expo. Some of the names may be well known to you while others may be appearing on your radar for the first time. I had a lot of fun doing these interviews. It felt very old world fandom or something. Thanks to everyone who participated for putting up with my antics. And if I missed you this year, look for me next year.

The marquee interview of the show – Kevin Huizenga and Jim Rugg – is archived here at Inkstuds. All other interviews are presented after the jump. Check it out! (more…)

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Pittsburgh PA


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Friday, October 15, 2010


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PITTSBURGH SCENE REPORT
This weekend! If you are within driving distance of this show, you are commanded to attend.

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Pittsburgh Scene Report


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Monday, June 21, 2010


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*Copacetic Comics has moved to a new location. Here’s the local Pittsburgh Post Gazette article on the new store. I’ve been working on Sundays and it’s been awesome. So much room, literally up in the clouds, third floor of a building on a hill overlooking some of the most beautiful parts of this wacky town. I just love it. Bill Boichel, the owner and my hero, seems like he’s a new man. The customers are arriving in droves. Old and new. It’s like Bill’s old store back in the ’80s where we could all just hang out and shoot the shit. The coolest thing is watching the local kids come in and buy dollar comics. I sold 10 Iron Mans and ten Thors to two little kids the other day. Now that we have the room to put out all of Bill’s back stock we can really offer bargains. Lots of locals have been bringing in their own zines and comics to sell. It’s quickly turning into an “interzone” to be proud of, what with Mind Cure Records and a coffee shop in the same building.

*Bill Boichel gave a lecture at the Carnegie Library tonight in Pittsburgh. Tom Scioli, Ed Piskor, Jim Rugg, and I were in attendance. Bill gave the usual spiel about watching comics grow from obscurity to mainstream acceptance. And then I argued with him that we’ve been having the “comics aren’t just for kids” discussion for 20 years and I’m tired of it. Bill retorted that it’s “all gravy” as far as he’s concerned. “If you were running a comics shop like I was 25 years ago, you wouldn’t care that we’re still having that discussion.”

*Tom Scioli, the local self-publishing powerhouse, recently wrote me an email saying, “I’ve left the world of print behind (not really). Check out my new ongoing web comics, American Barbarian and 8-Opus.” Yes, check ’em out, True Believers, Tom’s idea of a short story is about 100 pages, so you hang on for a long ride.

*Ed Piskor, the other local self-publishing powerhouse, recently went to Denmark with heavies, R. Crumb, C. Ware, C. Burns, and D. Clowes. That’s right, you heard it here first, now Eddie is going by “E. Piskor” to reflect his new star status.

*Jim Rugg, I’m happy to report, is “not so intense” since Afrodisiac has been released and subsequently sold-out it’s first printing. Here’s Jim’s poster for new Copacetic Comics location.

*There was a Steve Niles signing here in Pittsburgh. I’ve never read his comics but I love pointing out that he was in Gray Matter! Scroll to the bottom of this page to see his recordings. One of my favorite bands out of the DC hardcore scene.

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Kramers Tour Diary


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Sunday, December 14, 2008


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KRAMERS ERGOT #7 TOUR DIARY
PITTSBURGH PA
FRANK SANTORO

The Pittsburgh stop on the Kramers tour was pretty awesome. Well, I mean, for me, it was just a thrill to see Pittsburgh represented on this tour. Bill Boichel, Copacetic Comics owner and comics guru, put the whole thing together over at this great bar called Brillobox. We had a Storeyville signing there last year and it went pretty well. So we figured why not go two for two? Sammy was like, “Why not do it at the Copacetic store?”

“Dude, the store can only manage like five people at a time. It’s as big as your kitchen.”

So, imagine a second floor bar with a big open floor and a stage at one end and a bar at the other. Wood paneling and Christmas lights and horror movies on the screen above the stage. The main bar is downstairs, so the upstairs isn’t crowded with tables and that let us spread out and accommodate the giant Kramers books. Plus Bill set up a bunch of local guys like Jim Rugg, Tom Scioli, the Unicorn Mountain and Encyclopedia Destructica crews, the master Budai, and myself. A family affair. I brought my Cold Heat zines and my boxes of back issues carefully selected for the discerning comics fan. Anyone need a Brendan McCarthy Paradax set? I got ’em cheap!

It didn’t feel awkward, like signings or openings usually do. We all just kind of stood around, sat around. John Pham and Ron Regé went to get pizza across the street. Thurber found his way from the bus depot and made it all the way from NY. Sammy and Kevin were already signing books. My dad was there. It was easy.

Slowly friends were showing up. Folks seemed really excited actually, nice. A vague air of respectability in Pittsburgh actually goes a long way. Hard to explain. We’ve been in a recession since ’82, the rest of the country is just catching up with us. So, like when something good actually materializes here, we enjoy it as best we can. There were kids who I never see smile smile. It was pleasant.

I think Bill pre-sold like 20 copies and, I think, every person who bought one came to the signing. It was pretty steady. Not the tables tho’—Kevin scowled a few times cuz I kept reaching for french fries and shaking the thin table. Whoops, sorry Kev! There was a personal connection between maker and reader, the readers, like I said, being genuinely thrilled to be meeting the likes of Kevin, Sammy, Regé, and John Pham, all of whom hadn’t been to Pittsburgh before. Jacob Ciocci, Matthew Thurber, and I are always around it seems, ha ha. We got respect, but damn, people totally stutter in front of Kevin. It’s kind of sweet.

That was the big difference between the Pittsburgh signing and the New York one. In New York, the books were mostly pre-sold, but New York being New York not everyone showed up to have their book personalized. I’ll get to that later (there being way more to the story), but I just want to point out that this kind of excitement, this book and tour like this does a lot for places like Pittsburgh. Totally different receptions by the general fans. There were plenty of folks in New York, don’t get me wrong, who were excited by the book and the makers in attendance, but it’s so much more reserved. It’s not the only event in town that night worth going to, y’know?

Regé split to hang with Jacob at his house around the corner from the bar. The rest of us went to find some decent grub and wound up at a busy college hangout that serves Mexican food. It was fun to see my comics friends, peers, who I usually only see at the same cons and festivals now hanging out in my town, doing something new. They can now appreciate how hard it is to get a good meal in around here after midnight.

Later we nerded out at my house a little bit when I busted out the stack of old comics. Most of them had never seen that Charlton “Children of Doom” one-shot by Pat Boyette. “Did you know it was drawn only slightly larger than the final print size and had these black-and-white panels in order to save time? It was drawn in like two weeks.”

Thurber and Sammy stayed up smoking cigarettes and talking most of the night on the back porch. I could hear them complaining about art supplies. The rest of us hit the hay.

The next morning I made coffee and eggs for everyone. We went and picked up Bill Boichel and then Regé and headed over to Copacetic Comics. I really wanted everyone to see the store before we left.

We all crowded inside and Kevin starting asking about old Captain Easy reprints: did Bill have any? I think he ended up buying the Speak of the Devil collection. Bill told Sammy about the Proper Box sets of CDs from England that are super-affordable collections of great jazz. Thurber bought that Gahan Wilson Classics Illustrated edition of The Raven. That’s it, the usual comic book banter. Bill just has so much good stuff stuffed into such a small space it is pretty amazing—and fun to watch people digging the store for the first time.

I’ll spare everyone the giant tangent riff that comes to mind, but it goes something like this: Bill Boichel was in his late teens and early 20s when he started doing shows, running comic conventions. Then he set up his first store in a run-down mill town part of Pittsburgh and that store saved my life. Now, twenty years later, something like this tour comes to town literally because he created this outpost in the first place. Twenty copies pre-sold? Of a hundred dollar book that could be bought somewhere else online cheaper? That’s a loyal customer base. That’s a business. And remember, this is Pittsburgh, not L.A.

Then we got on the road and headed to New York, Friday a.m. post-rush hour. It was a perfect sunny, snowy winter morning. There’s a great diner on Route 22 outside of town. It was Regé’s birthday, and he’d missed breakfast, so we decided to stop and have a good meal before we were deep in the Pennsylvania mountains with even fewer options.

We went to this little chrome railroad car, Dean’s Diner. We all squeezed into a corner booth and I realized how “L.A.” Regé and Sammy looked, how “NY” Thurber and I looked, and how we were a bunch of knucklehead cartoonists sitting in a diner along with hunters in camouflage and the like. Two hunters in fact, only three arms between them, tho’. Next to them, an old guy who looked like a mechanic in coveralls. Then three waitresses in powder blue uniforms and us, the cartoonists. Six of us. Talking about Moebius and Mazzucchelli’s respective line weights. Did you know Moebius drew straight in ink without pencils underneath? And Mazzucchelli did his layouts for Year One slightly smaller than the printed comic so he could see how his line would reduce?
Ah, finally. I’ve found some real friends in this life, ha ha.

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Charlton Comics Fanzines


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Thursday, November 6, 2008


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Charlton fanzines! Man, what a guy can find here in Pittsburgh, PA.

OK, lemme see if I can trace this riff back to the source. So, I went to that small convention last weekend and was bragging to my friends about all the cool shit I cherry picked from 50-cent bins, when I mentioned that I passed up those off-sized color comics from Charlton.

My buddy Spahr was like, “Oh, yah, those were great, I love the paper they used for those things. I don’t have any of those around but I do have these, remember these Charlton fanzines?”

The most interesting one, to me, is the first one pictured below (top left). That’s Contemporary Pictorial Literature #12 from 1975 with a Paul Gulacy cover.

Check out some choice bits from the editorial by Roger Stern about the debut of Atlas Comics (at that time a new publishing effort led by former Marvel Comics owner Martin Goodman), as well as the price increases and content changes to the zine:

“Think for a moment of the really ugly things that go on in comics publishing—the deliberate rack-crowding, the unearned braggadocio, the high-handed treatment of creative personnel—and you’ll realize that Atlas has in a sense become a microcosm of the industry. We have seen a handful of shockingly beautiful books and a carload of tripe. […] It is clear that a free, creative hand can devise a damn good comic. And no better examples can be found than Larry Hama’s Wulf and Howard Chaykin’s Scorpion. […] So here we are for $.75 … four times a year … with ever-lovin’ color covers … and type so clear you can read every word. […] Old timers amongst you will notice that there is no Steve Gerber with us this issue. What with him becoming a Crazy editor, and a number of new titles starting up … well, you’ve heard of deadline doom. Dogs willing, he’ll be back with us next issue.”

It was a cool little zine (mostly put together by Bob Layton, future Iron Man artist) and also inside are spot illos and comics by future pros John Byrne (we used to say “John Brine”) and Dennis Fujitake (remember Dalgoda?), as well as “fan” drawings by established pros like Syd Shores and Herb Trimpe(!).

But the best thing in the issue has to be this line from the indicia: “Contributors! Please refrain from sending in samples unless you can put any of our regular CPL artists to shame.”

Hold on, I’ll be back, I gotta see if I can scare up any Fantastic Fanzines.









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Herbie #1 for one dollar


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Sunday, November 2, 2008


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Ah, back in Pittsburgh, PA and the best thing about this neck of the woods are these small Sunday afternoon comics conventions. Today’s was at some hidden Holiday Inn off an exit ramp. I spent 39 dollars and came home with over 50 great comics. The find of the day being the above: Herbie #1 (!) by Ogden Whitney for a buck. (Jim Rugg passed it up!)

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SPACE 08


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Thursday, February 28, 2008


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Shameless self promotion department:

I’ll be in Columbus, OH this saturday, mars first, for the SPACE comic-con. I’ll have copies of a two new Cold Heat zines. One by me solo and one by Dash Shaw. I’ll be rolling with Jim “Real Deal” Rugg. See yinz there.

Cover to Dash’s Cold Heat Special #3

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