Saturday, 11/18, 1 pm, Julie Doucet, Brian Chippendale and Paper Rad will be signing their new books, Elle-Humour, Ninja and Cartoon Workshop/Pig Tales at the New York Art Book Fair, at the Chelsea Art Museum, 22nd st. and 10th ave.
But I’ve got to get back in the habit of blogging somehow.
Anyway, as Tom Spurgeon says, this is “not comics”, but I know there’s got to be some Richard Williams fans out there.
“The Thief and the Cobbler: Recobbled Cut”: Filmmaker Garrett Gilchrist’s unofficial restoration of Richard Williams’ animated feature, available on YouTube as 17 separate video links. Also click here for an accounting of the film’s troubled production history and here for an interview with Gilchrist.
Via: The House Next Door
I’ve just returned from Tokyo, where I had a whirlwind adventure in Manga and art. I’ll have some very special related announcements soon. In the meantime, as Tim has noted, Comics Comics 2 is out and about. Look for it in a store near you, and in the Diamond catalog for February shipping along with issue 1. Also, I’m proud to announce the release of Cold Heat 2, which will be available through Diamond in January, and monthly thereafter.
Anyhow, Cold Heat remains a 12-issue series by Ben Jones and Frank Santoro about Castle, an 18-year old Ninja. It features truly groundbreaking concepts in story and art, and also every issue contains a one-page piece of fiction by Tim. Below is an excellent description by Bill Boichel, CC 1 contributor and the owner of our favorite comic book store. Copacetic Comics. Cold Heat is available from PictureBox Inc.
Cold Heat #2
By Ben Jones and Frank Santoro
Picking up where the first issue left off, Cold Heat #2 revs it up a few notches and takes us on a whirlwind ride through the dis-united states of the disturbed American psyche. Series artist, Frank Santoro once again refuses to play it safe. This time around he pulls out all the stops and takes the chances that most other artists wouldn’t take even if they could. Leaping into the artistic no man’s land between the well established borders of pre-existent genres, Santoro combines the propulsive narratives of mainstream American heroic adventure
comics, the exaggerated expressiveness of Japanese manga, and the naivete of self-published autobiographical comics with his own experimental ideas to create a totally unique comics cocktail that will knock you for a loop. Cold Heat takes the outside in and then brings the inside out—demonstrating how our internalization of international affairs creates monsters in our minds that are every bit as dangerous as anything we’ll meet on the street—and by so doing helps us see our place in and find our way through the mess of our world.
Footnote 1 — This should have been attached to the third paragraph of Section II: The Duck:
This reviewer is not old enough to have read these comics when they came out, so their funniness at publication is impossible to determine fairly. It may be worth noting, though, that in 2002, Marvel published a new Howard the Duck mini-series written by Steve Gerber, and the topical humor there ranges from the obvious and forced (a boy band literally manufactured in a laboratory by an evil corporation) to the fairly sharp and pointed (there’s a pretty devastating satire of Warren Ellis’s Transmetropolitan and that title’s futuristic Hunter S. Thompson-clone protagonist, whose book collection prominently features copies of The Bluffer’s Guide to Cyberpunk and Egotism Without Charisma). A mixed bag, basically, but one entertaining enough to be worth reading, if you’re so inclined.
Footnote 2 — This should have been attached to the sixth paragraph of Section III: the Unknown:
See, for example, this Gerber quote from Gary Groth’s 1978 interview with the writer: “Glance through a typical Marvel or DC book, you’ll find that, regardless of which character the magazine features, the material will be arranged in roughly the following way: a three-page fight or chase scene to open; about two pages of the character in his secret identity; three more pages of the character back in costume, either engaged in a second fight with the villain or swinging around the city looking for the villain and encountering other little obstacles along the way; a couple more pages of the alter ego; and then the big fight scene at the end. That’s the formula… All of it reads alike.”
That’s it. I hope this is helpful, and apologize for the mistake.
Well, it’s finally here in all its glory. The second issue of Comics Comics debuted this weekend at SPX, and it’s a pretty terrific bargain.
We’ve switched to a much larger size—the second issue is a broadsheet—and though we’ll probably have it available for downloading fairly soon, this is one you’re going to want to own and hold in your hands, if only for the beautiful, giant Justin Green “Perpetual Calendar” on the back cover.
Incidentally, I was surprised at how many people at SPX (ostensibly big fans of “alternative” comics) didn’t recognize Justin Green‘s name. All I can say to that is that he basically invented the modern conception of autobiographical comics, and he is easily one of the dozen or so most important comic book creators of the last fifty years. If you haven’t read his Binky Brown stories, you should buy them and read them immediately. Seriously. Don’t buy a single other comic until you’ve found the Binky Brown Sampler. It is better than anything else you could possibly be considering.
Of course, Green’s not the only contributor in this issue. Did you ever wonder how Peter “Hate” Bagge really feels about Spider-Man, and about the single issue of that superhero’s adventures he created for Marvel? You can find out in Comics Comics #2!
Do you like the strange and wonderful work of Matthew Thurber, recently named minicomics artist of the year by the Comics Journal? You’ll read more here, in Comics Comics #2!
Also, Frank “Storeyville” Santoro discusses the lost art of color separation with mainstream legend Kevin Nowlan!
Comics and a very rare interview from our cover artist, the enigmatic PShaw!
Dan on Dave Sim, Mark Newgarden on Michael Kupperman, gag cartoons by Lauren R. Weinstein, and the first installment in an epic, New Yorker-style (ha) exploration of the 1970s Marvel stories of Steve Gerber!
Does YOUR favorite store carry Comics Comics?
Sorry about the extremely light posting over the past few weeks. We just finally sent the second issue of Comics Comics to the printers and, fingers crossed, it should debut at the SPX convention in Bethesda this weekend.
Thanks, by the way, to everyone who came out to the Comics Comics event in Philadelphia on Saturday. It was a lot of fun, at least for us. The conversation between David Heatley and Lauren went extremely well, I thought; if our tape recorder worked properly, look for a transcription either in a future issue or here on the blog. Matthew Thurber blew my mind with his performance—Frank unrolled a giant scroll of pretty elaborate Thurber illustrations while Thurber played a tiny guitar and sang apparently related lyrics. And I don’t think I’ll ever look at PShaw‘s Strings the same way after his thorough, hilarious presentation. What once was dark is now light—and vice versa. Anyway, thanks again to all who came, and to the 215 Festival for inviting us.
As part of the city’s annual 215 Festival, Dan, CC editor-at-large Frank Santoro (of Cold Heat and Storeyville fame), and I will be hosting maybe the greatest, most mind-blowing comics-type extravaganza around.
David Heatley and Lauren R. Weinstein in conversation!
A musical performance by minicomics great Matthew Thurber!
A digital presentation of the meaning behind Strings, by PShaw!
And it’s all FREE!
Tell your friends, please.
Comics! Comics! Comics!
4:30-6:30pm, Rocket Cat Cafe, 2001 Frankford Ave., Fishtown, Philadelphia, FREE
The editors of the comics journal, Comics Comics, present a conversation between David Heatley and Lauren Weinstein. Heatley is the author of Deadpan and Weinstein is the author of Inside Vineyland. Plus, a performance by artist Matthew Thurber and a guide to Comics Comics by Dan Nadel, Timothy Hodler and Frank Santoro.
Here’s a 20-foot tall paper mache ogre by Mat Brinkman. Title: Maximum Ogredrive.
And here’s Jim Drain’s piece, constructed around a totem pole from the museum’s collection:
Here’s a view of Chippendale’s house and one of Erin’s sculptures.
And inside Brian’s house:
And here’s part of Leif’s sculpture, which also projects a fantastic animated film.
and a screen shot:
Anyhow, that’s the story. Go see this show if at all possible.
Well, Tim’s been on vacation and I’ve been frantically trying to squeeze out some books and get an exhibition up as well. See PictureBox for all the updates. In the meantime, I should note that I saw the great Frank Tashlin movie Artists and Models last week. It’s an amazing Jerry Lewis and Dean Martin vehicle in which they star as writer/artist pals on the make in New York. They happen into, you guessed it, the comic book world, as Jerry’s favorite cartoonist turns out to be their upstairs neighbor and beautiful, too, natch. Dean falls for her (fascinating, given all the recent discussion, that the famous cartoonist in the movie is a woman–also a convenient plot device, but still…) while Jerry falls for her model, played by Shirely Maclaine. Anyhow, there’s some wonderful stuff in there with sleazy publishers, exciting imagery (“Bat-Lady” is the stuff of Jerry’s fantasies) and general hilarity. What’s so refreshing about the movie is that the comics stuff seems oddly right-on. It’s just a business in this movie, but the business still generates the raw material for dreams and nightmares. I could see how comics were once part of the entertainment mainstream–just another thing for a film to riff on. Too bad that’s no longer. There’s also a great sequence in which Jerry gleefully makes the case that comics made him retarded, a sentiment I couldn’t agree with more. Retarded is the new sexy.
Anyhow, we’re hard at work on the next issue, which thus far features a fine essay on Spider-Man by Peter Bagge, a fine list by Mark Newgarden, comics by Matthew Thurber and Paper Rad, a long interview with Pshaw, and Tim on Steve Gerber. It’s coming along. We hope to have it done for October.
This is a pretty nice review:
There’s no question that it’s a strong candidate for best comic of the year.
And by the way: an actual, real live post will be made sometime before the end of the week, then I’m gone on vacation, and Dan will hold holds the reins.
