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I’ve started to wonder whether what I read as a child wasn’t more important. […] And then there was Pif le chien, a comic book published by Editions Vaillant and sponsored by the Communist Party. I realize now when I reread it that there was a Communist bent to many of Pif’s adventures. For example, a prehistoric man would bring down the local sorcerer in single combat and explain to the tribe that they didn’t need a sorcerer and that there was no need to fear thunder. The series was very innovative and of exceptional quality.

—French novelist Michel Houellebecq, interviewed in The Paris Review No. 194

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Welcome to the preseason for 2010’s Comics Comics Comic-Book Club, which will feature a discussion of Alan Moore and Jacen Burrows’s new series Neonomicon. Before getting to that, though, it probably makes sense to start with Alan Moore’s The Courtyard, the 2003 two-issue miniseries to which Neonomicon is a sequel.

Garth Ennis, of Preacher and Punisher fame, introduces the comic with some effusive praise:

Here he is now with his latest effort, ably assisted by Antony Johnston and drawn by the always excellent Jacen Burrows: Alan Moore’s The Courtyard. And yes, it’s brilliant, and yes- sob– he’s as good as he ever was, but what The Courtyard really does is confirm the effortless quality of the man’s talent. A story bursting with ideas and characters and nice lines and spooky twists, enough to keep most writers occupied for a couple of years—but where just about anyone else would stripmine a concept like this to death, what does Alan devote to it? Forty-eight pages, no more.

Actually, Moore actually didn’t even devote that many pages to the concept, because Moore is not in fact the author of this comic (more…)