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Two more, by request:

CUT THE UNFUNNY COMICS, NOT ‘SPIDERMAN’

I can’t believe that you’re cutting “Spiderman” — the only comic strip in the Globe, except for “Doonesbury” half the time, worth reading. Do think again in making way for what sounds like one more jejune set of unfunny panels pitched at the nonexistent (or at least nonreading) X-generation.

And what ever happened to “Mac Divot” — the most helpful set of golf tips I ever read?

JOHN UPDIKE
Beverly Farms

And:

The encounter, when all was said and done, had been no stranger than those in ‘Krazy Kat,’ which had given me my first idea of the American desert.

I remember really enjoying reading the Spider-Man comic strip in the early ’90s, but mostly in a kind of stupefied amazement at the lengths it took to stretch out a single plot point from Monday to Saturday (presumably so Sunday-only readers wouldn’t get lost). I wonder what Updike saw in it, assuming his letter wasn’t a put-on. I was just a stupid kid at the time, so maybe I was missing something…

[Thanks, Jeet.]

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In the imaginary interviews I sometimes have with The Paris Review I have happily envisioned myself making long heterogeneous lists of predecessors in answer to that inevitable question: I’d say, “My lasting literary influences? Um—The Tailor of Gloucester, Harold Nicolson, Richard Pryor, Seuss‘s If I Ran the Circus, Edmund Burke, Nabokov, Boswell, Tintin, Iris Murdoch, Hopkins, Michael Polanyi, Henry and William James, John Candy, you know, the usual crowd.”

That Nicholson Baker likes comics is no shock, I know, and I promised I wouldn’t post any more of these things unless they were interesting, but I like this quote enough that I don’t mind being a hypocrite.

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A received an email this morning from a nice fellow named Max Mose, who discovered this tidbit about Herbert Crowley (“famous” for The Wigglemuch, as featured in Art Out of Time) in
Popular Prints of the Americas (A. Hyatt Mayor, Crown Publishers, 1973), which reads: “Crowley was born near London in 1873. Though he studied singing in Paris, he could never bring himself to face an audience. Then, while working in a mine, he discovered that he could draw. His late-found career took him eventually to the New York Herald, where he drew the Wigglemuch from about 1910 to 1914. In his solitary imagination, this creature with no legs on its far side became more actual than anybody he met on the street. Crowley could tell you exactly when it slept, what it did and did not eat, how it laughed, and that it whistled like you or me.” Well, this is all news to me! The actual dates of the run are off, but the rest of it… who knows? Sounds like the kind of thing an artist might write about himself. I know that he had some shows of his artwork on 57th St. in NYC in the 20s… and that the Met has some works on paper of his in storage that I have, to my shame, not gone to request, but beyond that, well, I cast wide nets, but don’t tend to dig deep holes. But in this case I should. Thanks, Max!

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A few odds and ends here. I’m sure I’m the last person to know this, but wow, Dark Horse is releasing the first volume of the Jesse Marsh Tarzan series now! His work has an incredible arc to it, from early drawings that look carved from stone to mid-period, more fluid pen lines, to his last scratchy, near-abstract images that Russ Manning claimed was due to his declining eyesight. He was a great artist, and the Tarzan work is among my favorite work of his. There’s a great Jesse Marsh web site here from which I stole the gorgeous image above. Marsh will be in the second Art Out of Time, which I should be working on instead of doing this.

Also, been thinking about Victor Moscoso lately for another project, and friend Norman pointed out an amazing series of animated shorts Moscoso made sometime in the late 60s or early 70s. What I love about these is how it takes him out of psychedelia and suddenly he seems wonderfully in line with drawers like Milton Glaser and Heinz Edelmann. He had the same transformative impulses and shared with Edelmann a pen line of such urgency and clarity that it’s impossible to look away. It’s a sharpness — a tiny bit of grumpiness. Moscoso was certainly the best colorist and overall designer of his S.F. (and perhaps North America in general) contemporaries, but people sometime forget about that wicked penline. The thing that stood out for me the most in the recent Crumb show in Philadelphia was, in fact, the original jam pages Moscoso worked on. Where everyone else looks like they’re carefully cartooning a gag, Moscoso’s marks come on like brush-fire — just decimating the very formidable competition. Just brutal and immediate and delineating modern-psych design forms. Anyhow, enjoy these little films. I don’t know much about them but maybe someone can fill us in in the comments.

EDIT: Someone just did.

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Do Atlas Comics have the best logos, or what?

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Your PShaw! for the day.

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In the spirit of hope (and commerce) PictureBox is holding a massive, two-week sale on nearly everything on our web site! It’s a cold world out there, but what better way to pass the time than curling up with a visual book! Each book is a stimulus package for the soul! Plus every purchase from now (January 16) until February 1 will include a FREE copy of Paper Rad’s DVD Problem Solvers.

So, here we go:

* Been curious about Overspray: Riding High with the Kings of California Airbrush Art? This masterpiece has been lauded by everyone from Women’s Wear Daily to the New York Times to Eye Magazine, and it can be yours for just $20!

* Ever wondered about who made the best record covers of the 1970s? In awe of Houses of the Holy, Dark Side of the Moon and Electric Warrior? No need to be frightened, for all will be revealed by buying For the Love of Vinyl: The Album Art of Hipgnosis. It, too, can be yours for $20!

* Beguiled by mythical trappings and enamored of contemporary art and writing by my generation’s best imaginations? Then dig into Trinie Dalton’s MYTHTYM for just $15! It’s like going to a museum, reading the best book ever written, and watching a movie all at the same time!

* Curious about the book about which the New York Times exclaimed: “Few cartoonists of the moment are weirder or more original than Yuichi Yokoyama – his work obsessively diagrams architecture and design … Travel is remarkably entertaining.” Travel can now be yours for just $9.95!

* Want to dip into a graphic novel on nearly ever top ten of ‘08 list? Interested in Dune? Philip K. Dick? What about masterful drawing? Well, my friend, check out C.F.’s Powr Mastrs 2, now just $10!

* And then there’s Monster Men Bureiko Lullaby! The Village Voice crows: “By depicting human behavior at its worst, Nemoto recalibrates the limits of what we can bear to consider on a page of comics.” Damn straight. Yours for $8.95!

* Many consider Lauren Weinstein’s The Goddess of War a shortform masterpiece of graphic storytelling. I sure do! Richard Gehr calls it a “A blend of Marvel’s Thor comic, a Wagnerian space opera, and Anthony Mann’s Westerns” Sounds right to me! Yours for just $7.95!

* And, good heavens, where else can you find Michel Gondry’s visionary memoir/manifesto/guru-text You’ll Like This Film Because You’re In It? The man is a genius, and the book is a helluva a lot of fun to read. Inspirational and educational too! Now just $6.95!

* Wait a minute, what about The Ganzfeld 7? Co-edited and designed by Paper Rad’s Ben Jones, this final issue actually elicited an email from one notoriously cranky woman stating “It’s the best thing ever! And I’m not even stoned!” Yours for just $25.00!

* I know you’ve been wanting to buy Gary Panter, which remains PictureBox’s finest hour, but needed to first purchase a pedestal to hold its 10 pound weight. Now you can, since it’s just $30!!!!!

* All of these books, not to mention our older, equally remarkable books, like Frank Santoro’s Storeyville (just $8.95), Brian Chippendale’s Maggots (just $8.00), Cheryl Dunn’s Some Kinda Vocation (just $8.00) and Paper Rad’s Cartoon Workshop/Pig Tales (just $6.95) are all on sale. Not to mention prints, posters and much much more. Get down with it!

* And remember, PictureBox wants you to have these books because we have your best interests at heart!

This sale will self-destruct on February 1.

Happy hunting.

Love,

PictureBox

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Dan wrote a review of the first two Herbie Archives in the latest Bookforum, and it’s now available online. (Good ol’ Joe McCulloch wrote a review there, too.)

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Long journal entry getting edited down –so until then..

















Gary Panter and co. skankin’ to tha beat