Posts Tagged ‘letters’

The Auteur Theory in Comics: A Beyond Half-Assed Series of Ruminations


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Thursday, August 19, 2010


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First off, if you’re in Montreal, don’t forget your plans for tonight.

Second, intervening events have prevented me from being able to write the review of Alan Moore’s The Courtyard I promised would start up the CCCBC today. But I will get it up soon!

In the meantime, let me resurrect a post I almost wrote last February. (You have been spared about a dozen almost-posts this year alone.) I don’t remember what I had originally planned to say exactly (my surviving notes are sketchy), but mostly I just wanted to link to this really amazing, lengthy interview with screenwriter Lem Dobbs, which offers a stiff dose of Auteur-Theory polemics. (I’m not actually that big of a fan of Dobbs’s actual films—at least those that I have seen—but this is great stuff.) Eventually this will all work around to a discussion of comics, I swear.

Here’s a sample:

The Auteur Theory is clearly the most practical and, as you say, self-evident way of looking at or “reading” movies, and it’s mind-boggling after all these years to still have to listen to screenwriters rail against it without the least notion of what they’re talking about. It’s so funny/sad their undying belief that only an Ingmar Bergman can possibly be an auteur because he “writes and directs his own scripts.” “No one ever made a good movie from a bad script” is their other favorite cliché — now and forever blind to the power and the glory of Sam Fuller, Edgar Ulmer, Douglas Sirk, and countless sows’ ears made into silk purses by distinctive, individualistic directors, including many movies that have no script at all except — in Writers Guild parlance — “as represented on the screen.” (more…)

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“Where Does It All End?”


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Thursday, July 29, 2010


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Following last Thursday’s post, my friend and colleague “Jolly” Jeet Heer graciously sent me the following letter, written by Charles Schulz to Walt Kelly in 1954. I’m not sure how much light it shines on what Schulz thought about how his strips would be read when collected (at least unless we read between the lines, as I invite you all to do), but it is definitely a fascinating glimpse into his mindset at the beginning of his career, and displays well his trademark humility and understated humor.

A transcription of the letter can be found after the jump:

(more…)

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Unforgivable!


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Thursday, July 29, 2010


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Ah, the passions of youth. Could this letter, found in the 58th issue of Fantastic Four, be the first published opinion of James Wolcott?

[Tip o’ the mouse to Senses-Shatterin’ Sean Howe for the scoop!]

UPDATE: And the answer is … Yes!

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B.N. Duncan as Letter Hack


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Wednesday, July 21, 2010


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B.N. Duncan

There are many reasons to regret the death of B.N. Duncan, who passed away last year. Among other losses, we’ll no longer see his letters, which used to adorn many alternative comic books, notably Weirdo, Hate, and Eightball. Duncan was a passionate, involved reader and his letters were quirky and personal, to an extent that made them almost painful to read. In Eightball #21, Daniel Clowes devoted the entire letters column to Duncan, described as the issue’s “featured correspondent.”

The letters in that issue dealt with the David Boring storyline, then being serialized in Eightball. “I hate that mother of David Boring!” Dunan wrote. “I myself had a castrating, slimy, hypocritical dictator-mother who was always against me.” Who responds to comics with this level of naked emotion anymore? Perhaps Duncan shared too much of himself, gave us too much information (as the saying goes) but still his letters reminded us how personal our response to art can be. The internet has supposedly unleashed a torrent of personal voices but too many of them seem to be poseurs of one sort or another, people who adopt a stance because it makes them look cool. Voices like Duncan, so honest as to be embarrassing, are all too rare.

Time moves on. B.N. Duncan is dead and the pamphlet-form alternative comic book also seems to be on the way out.  There is no point in lingering too much on the past since new voices and new comics are all around us.  Still, I’d like to take a measure, briefly and inadequately, of how special Duncan was.

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Reminder


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Tuesday, July 1, 2008


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I assume most of you have decided to send your letters to Comics Comics the old-fashioned way, and your missives are already in the mail. If not, do your duty, and don’t let the Internet kill the old-school letters page. Because so far, our pickings have been slim. Surely someone is still angry with Dan about his Masters of American Comics essay from CC3! Do you love the space our large broadsheet size allows for artists to create cover images and comics? Or does trying to read the monstrous thing on the bus drive you insane? At the very least, you could take issue with Frank’s assertion that Ronin is the best Frank Miller comic…

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One Comics Comics-Related Thing To Do This Weekend


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Friday, June 27, 2008


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Write us a letter. We’re this close to finishing up the long-awaited fourth issue of Comics Comics, and we want to hear from you. If you have any thoughts, complaints, rants, or raves about any of the stories or comics in the first three issues, please let us know. Do you disagree with Kim Deitch on the meaning of life? Did Dan’s condemnation of the Masters of American Comics show and book stick in your craw? Or maybe you have something to add to our Steve Gerber appreciation, Douglas Wolk review, or the joint interview with David Heatley and Lauren R. Weinstein? These are just ideas — tell us what’s on your mind.

If you do submit a letter, please include your name, location, and phone number, and be aware that we may publish it (meaning the letter, not the phone number), either in the magazine or potentially on this site. Letters may be edited for space or clarity.

E-mail: thodlerATgmailDOTcom

Mailing address:

Comics Comics Letters
PictureBox
121 Third Street
Ground Floor
Brooklyn, NY 11231

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Sinkevitch


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Monday, February 25, 2008


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An anonymous source sent in the information below. Who knows why. Eric Reynolds, Fantagraphics shill and dear friend was, as we all were, a young fan once. Why, I myself once waited in line for what seemed like hours to have a stack of comic books signed by inker John Beatty. Yes, we all have our secrets. I shudder to think what long lost letter/picture etc. someone might find of mine. Like the one I wrote to Jaime Hernandez when I was 15 explaining about this awesome band I’d just learned about: The Clash. That was in 1991. Oh boy.


Dear Mr. Goodwin, Elektra: Assassin is some of the finest (if not the best) work Frank Miller has ever done. It even topped his recent issues on Daredevil and Dark Knight for DC. The events dealing with Elektra’s birth were very shocking. I never knew the details of Elektra’s birth or origin, and this story gave me an idea. I was really glad you could fit Matt into the story (if only for a few panels).

As for Bill Sienkiewicz, (how does he get “Sinkevitch” out of that?), I’m not too sure about his art. His old Moon Knight stuff is some of the best I’ve ever seen, but this book looks like he drew while on acid. I’ll have to keep in mind that Elektra was drugged during this story, which I hope accounts for her abstract thinking. If she is sane and/or not drugged next issue, I hope the art will reflect Bill’s true talents. All in all, it was a great book and I’m looking forward to next issue.

Eric Reynolds
Huntington Beach, CA

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Mail Call


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Wednesday, March 14, 2007


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As you may remember, I love letters pages. So, in that great comic book tradition, we plan to institute a “letters to the editor” section in future issues of Comics Comics.

Were you angered by Paper Rad’s attack on art comics in the first issue? Impressed by Dan’s thoughts on the Wally Wood/Ogden Whitney connection? Do you feel compelled to defend Spider-Man from Peter Bagge in issue two? Do you have a bone to pick with one of our reviews, or an interview you’d like to praise? Whatever your thoughts, positive or otherwise, about anything related to Comics Comics, we’d love to hear them.

Thanks! If you submit a letter, please include your name, location, and phone number, and be aware that we may publish it (meaning the letter, not the phone number), either in the magazine or potentially on this site. Letters may be edited for space or clarity.

E-mail:

thodlerATgmailDOTcom

Mailing address:

Comics Comics Letters
PictureBox
121 Third Street
Ground Floor
Brooklyn, NY 11231

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Return to Sender


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Thursday, August 10, 2006


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Speaking of Forbidden Worlds #132 — almost as much fun as the stories in this issue is the letters page.

For example, one M. Jay Marsh of Philadelphia writes in to complain about ACG’s new characters, the aforementioned Magicman and the other new superhero, Nemesis:

I’d like to review a couple of statements of yours. I quote: ‘Featuring regular characters is the simplest thing in the world to do, but it doesn’t lend itself to amazing stories.’ That was in reply to a letter by Paul Gambaccini in ‘Forbidden Worlds’ No. 110. Here’s a more recent quote of yours: ‘Fighting hard-hitting, power-packed and lightning-fast, ‘Magicman’ fits four-square into the format of ‘Forbidden Worlds’. Quite a change, eh? … But considering that featuring super-heroes is ‘the simplest thing to do’, it’s suprising you can’t do it successfully.

Marsh also comments on the similarity between Magicman’s powers and those of Nemesis:

…despite their different backgrounds, both of your new characters seem to have almost identical powers, such as becoming gigantic, overcoming enemies by hypnosis, etc. A little variety, please!

Writer/editor Richard Hughes responds to Marsh’s letter by fully admitting to bowing to commercial pressures in creating the superheroes (“We’d have had to be jerks not to climb on the bandwagon, and we did so.”), and shows his disinterest in the genre when answering Marsh’s second point (“You’ll find that all costume heroes share the major part of such powers”).

Another correspondent, Dennis Knuth of Augusta, Wisconsin, applauds the addition of costumed heroes, but asks that Magicman be modified a bit (“He should be given several limitations or it will be impossible to come up with a villain who can even pose as challenging”), to which Hughes responds much more favorably (“you’re oh, so right … Thanks for this valuable suggestion, which we will follow just as soon as possible!”).

I don’t know if the charm survives onto the blog page, and maybe I’m just a sucker, but I’ve always loved these kinds of supplementary materials in comics. As a kid, I had a book comprised entirely of letters written to the Batman comics, and I read it over and over again — even though at that time, I’d never read an actual Batman comic itself. But I loved hearing about all the mistakes in some issue I’d never read and never would, and poring over the drawings and diagrams some seven-year-old had made of Batman’s utility belt. Other people have written about this kind of thing before.

No real point here, except that I find the impending extinction of letters pages to be one of the sadder side effects of the slow, steady death of the old-fashioned “pamphlet”-style comic book.

Of course, the letters page is more or less dead already, even before the pamphlet goes. Maybe two or three of the big DC and Marvel comics still include them, and they’ve been almost entirely expunged from alternative comics as well.

But when I first discovered alternative comics, the letters pages were still going strong. Hate and Eightball were the best of all, full of rants, messages from other cartoonists, weirdo literary recommendations. I probably learned more about comics from the supplementary materials in Bagge, Clowes, and Hernandez than in any given issue of The Comics Journal.

Now nearly every alternative comic is released as a graphic novel (in which letters pages would seem undignified), or comes out so irregularly that a letters page would be impractical. I guess the internet has taken their place, but it’s not the same.

It doesn’t matter at all, but I’m going to miss them.

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