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The Comics Comics and PictureBox advance team has arrived in Charlotte, NC for Heroes Con. Frank and I are lounging in our hotel room, high above the convention center. So far it looks like a fun show and damn fine for back issues. Why, there’s an entire Fangoria section at one table! Anyhow, Tim will be joining us tomorrow and then we have some fun panels:

Friday, 3 pm:

CAGE MATCH: Comics Comics Vs Comics Comics! | Room 208
A live critique session with the editors of Comics Comics. Timothy Hodler, Dan Nadel and Frank Santoro will conduct a no-holds-barred argument about a comic book or graphic novel of their choice. Audience participation is encouraged. Chairs might be thrown.
Topics:
John Byrne’s FX
Kirby’s OMAC
The new issue of Mome
Kick-Ass 1-3

Saturday, 12:30 pm:

THE NEW ART COMICS
From critical favorite hits like MAGGOTS and POWR MASTRS, to prominence in influential anthologies like KRAMER’S ERGOT, “art” or “abstract” or “out” comics are pushing the boundaries of the avant garde in comics. Join Tom Spurgeon of the Comics Reporter as he sits down with Picturebox publisher Dan Nadel, KRAMER’S ERGOT editor Sammy Harkham and publisher Alvin Buenaventura for a frank discussion of this leading edge of art in comics!

Sunday, 1 pm:

CRAFT IN COMICS: Jaime Hernandez, Jim Rugg, and Frank Santoro in Conversation | 213A
Less a conversation on materials and techniques and more a conversation on ideas and beliefs, this panel will focus on tradition and innovation in composition and drawing for comics. From Jaime’s insistence on not using photographs as reference in his comics to Jim’s clarity of composition and Frank’s careful color choices, there are countless tenets of craft that are largely underappreciated by readers. This panel will investigate these ideas and attempt to illuminate and outline them in a lively conversation led by Frank Santoro.

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So, since we’re all recovering here at Comics Comics from the insane heat wave of the last few days and the MoCCA festival I thought I’d try to jot down a few things for posterity. It was a good show, I thought, no? PictureBox table was killing it all day. Lauren Weinstein held it down both days debuting the magnificent Goddess of War, which may just be the best comic to come out this year so far. Gary Panter hung out for a bit, signing. CF was there. Michel Gondry arrived when we were all signing and it sort of became surreal. Especially during the fire drill when we were all standing on the corner of Houston and Lafayette and I thought to myself this is like a dream sequence in one of Gondry’s movies, weird. Fun, but weird.

Um, I did my lecture at the MoCCA gallery (thanks Kent!) and it probably couldn’t have gone better. It was a big relief. So for all of you folks who missed it fear not because it was recorded. More on that soon. (Thanks Tucker! Thanks Nina!) And thanks to everyone who came out and supported my wacky rantings, specifically: Tim Hodler, The CCC crew, Alex Holden, Tom K, Dash Shaw, Jon Vermiliyea, Blissy Higgs, R Siroyak, Chris Mautner, Jog, and everyone else who was there whom I can’t remember by name. It was your enthusiasm and interest that made it a good talk or at least fun for me. There were like 7 or 8 people who came up to me afterwards and were extremely positive, which was really rewarding. Thank you, thank you. Honest.

Oh, and for all of you who were there who didn’t get one of my handouts, I will be reprinting them and will make them available. Just send me an email and I’ll get you one eventually.

I’m planning on doing a nice article on the Closed Caption Comics crew who were out in force at this year’s MoCCA. They are a pretty amazing group of artists with strong individual voices. I recommend their blog to get acquainted, CCC, until the article finds its way on to this blog and into the magazine. Most of the CCC artists are printmakers and they embody a particular spirit in comics that I think is extremely important to cultivate. Meaning that if you don’t learn how to make your own books from scratch and familiarize yourself with the ins and outs of how do it all: writing, drawing, printing, distributing, selling, promoting at shows — then you are missing something. And the CCC crew do it all.

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The PictureBox site is mysteriously sick right now, so here goes:

PictureBox will be at the MoCCA comics festival this weekend at NYC’s Puck Building (At the corner of Lafayette and Houston).

We will debut the following books and zines:

-Goddess of War by Lauren Weinstein
-Cold Heat Special by Jim Rugg and Frank Santoro
-Core of Caligula by CF
-We Lost the War but Won the Battle by Michel Gondry
-Crazy Town by Paul Gondry
-Bicycle Fluids (not) by Matthew Thurber
-Faded Igloo by Jim Drain
-The Museum of Love and Mystery by Jim Woodring (a Presspop edition)
-Cold Heat Special by Ryan Cecil Smith

Michel Gondry, Paul Gondry, Gary Panter, Frank Santoro, Lauren Weinstein, CF and Matthew Thurber will all be in attendance.

The schedule is:

Saturday:

11-12: Frank Santoro and Lauren Weinstein
12-2: Michel Gondry, Paul Gondry and Lauren Weinstein
2-3: CF, Frank Santoro, Gary Panter
3-4: Gary Panter, CF, and Lauren Weinstein
3:45-4:55: Frank Santoro Lecture @ MoCCA!
4-5: CF, Michel Gondry, Paul Gondry
5-6: CF and Dan Nadel in Conversation @ MoCCA!
5-6: Lauren Weinstein, Michel Gondry, Paul Gondry

Sunday:

11-12: Frank Santoro & Lauren Weinstein
12-2: Michel Gondry, Paul Gondry, Lauren Weinstein
2-3: Frank Santoro, Matthew Thurber, Lauren Weinstein
3-5: Michel Gondry, Paul Gondry, Matthew Thurber

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I’m going to be giving a lecture at MoCCA on saturday June 7th at 3:45. I hope that anyone who enjoys this blog, or my approach to comics, will come out.

It’s going to be about static and dynamic symmetry in art and how it applies to comics. There’s a couple handouts and I promise it won’t be boring. I’ve been keeping notes, preparing for it for weeks now, so I can promise you that it will be informative and entertaining.

I do a great Swannee.

and also, of course, Dan and Tim and I will be our usual peppy selves at the Puck Building on saturday and sunday for the actual MoCCA festival.

June 7 Saturday 3:45pm MoCCA Gallery, 594 Broadway (Suite 401), just below Houston.

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Inkstuds, the best comics-related podcast that I am aware of, strikes again, with three full hours of talk with Gary Panter.

In other news, the Inkstuds gang have shown extremely questionable judgment by asking CC‘s own Frank Santoro (!) to help moderate their new message board. This is a mind-boggling development. Normally, I’d ask readers to go there and give him a hard time, but I’m hoping all the troll-hunting doesn’t keep Frank too busy to post here. So please don’t bookmark that link.

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The unflappable Chris Beckett gets high on Cold Heat in this profile / interview.

Check it out here.

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1. This old interview with Matt Groening popped up in my RSS reader about a week back, devoid of any context or explanation. I’ve decided to take it as a sign that now is the time for me to declare that — strange as it sounds to say about one of the wealthiest and most-celebrated cartoonists alive — I think Groening’s comics work is highly underrated.

Most episodes still have a few funny moments in them, but The Simpsons lost me as a big fan at least a decade ago. And while I was initially excited by the concept of Futurama, it never hit that sweet spot for me that the first two or three seasons of The Simpsons and many of Groening’s early Life in Hell strips reached on a regular basis. The strips collected in books like Work is Hell, Love is Hell, and School is Hell are not just incredibly funny and insightful, they also display a barely concealed sense of real dread over the human condition. That underlying pain raises the humor above the amusing into something that I find genuinely moving, and even strangely comforting — yeah, sure, life is pointless, but at least I’m not the only one who feels that way. To me, early Groening at his best belongs to the same great tradition as Kafka and Ecclesiastes. (Or at least it’s a small, awkwardly beautiful fish swimming in the same big river.)

2. Incidentally, it occurs to me that with all the endlessly recurring talk about “literary” comics versus “art” comics, if you go by the only definition of literary comics that makes much sense to me (the relative importance and prominence of the words), then Groening and Lynda Barry are two of the most literary cartoonists around. It’s strange that their names never come up in those discussions.

3. Since I’ve written some harsh things about the critic Noah Berlatsky in the past, it seems only right to point out his recent post on Alan Moore, which I think is quite good. I don’t necessarily agree with him in all the particulars, but it’s a really strong, fair, smart piece. For some reason, writing about Moore tends to bring out the best in him.

4. Finally, I don’t think I’ve linked to Charles Hatfield & Craig Fischer’s relatively new comics site yet, but it’s been worth regular stops for a while now. (I probably never would have bought the fascinating Fantastic Four: The Lost Adventure comic if I hadn’t read their write-up, so I owe them for that alone.)

Anyway, while I regularly disagree with many of their individual judgments, their writing is unfailingly thoughtful and fair. This week, they took on Frank’s Storeyville. Again, I don’t concur with everything they say about it, but it’s nice to see the book finally getting some real (and overdue) critical attention. (If I didn’t feel constrained by ethics, I’d write more about it myself.) I hope this helps get a good conversation going.

[UPDATE:] 5. & 6.: A Gary Panter interview and Gary Groth on Jules Feiffer.

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Inter-office memo. PictureBox.

RE: SPACE 08 Columbus Ohio

Went to SPACE in Columbus, Ohio. It was okay. Just no traffic really. The only people walking around checking things out were exhibitors. It felt like that until about 2 or 3 o’clock. I passed out some Cold Heat zines while Jim Rugg signed comics for his legions of fans (3 different people brought all their Street Angel comics, from home, to be signed. I’m not kidding! That shit never happens to me!) A little frustrated early on, I looked up to the end of my aisle — and there was Dave Sim. It’s not 1987 or 1995, it’s 2008, and there’s one of the most recognized figures in comics, still on tour, still hawking his vision.

I watched him sign books and look through fans’ artwork a few times, and I mean he really looked at it and gave advice and encouragement. Each time when the exchange was over, he stood up, shook the person’s hand, and thanked them for stopping by. Geez. I don’t care what anyone says about the man, ‘cuz really, he busts his ass and makes it work, whatever it is he does. I went up closer and checked out the exhibit of pages from his new work, Judenhass, which hung unpretentiously behind Sim’s table on wire racks. I was impressed. Like it or not, Sim has made a beautiful photo-realistic pen-and-ink comic book about the Holocaust. I talked to one of Carol Tyler’s students, who had just finished reading the whole book (at a table beside the exhibit set aside for reading it). “It was powerful. I feel sad now,” she said, before walking away. So there it is. I guess he just “reached” someone, right?

I got in line & when I met Mr. Sim (“Call me Dave,” he said), I handed him issue 3 of Comics Comics, and gave him my spiel on my on-going old color printing process series. I told him that I’ve been in touch with Steve Oliff, Kevin Nowlan, Michael T. Gilbert, and — I took a breath here — would it be possible to reprint the section in his Following Cerebus interview with Neal Adams where Neal explained the real reason ’60s DC characters’ skin was pink? (Because DC cut corners at one point and got rid of “tone yellow” when making separations for its books.) “Sure,” said Sim, and then he asked if I’ve been in touch with Richard Corben.
“Corben figured out that he could do full color for the Warren magazines by making his own separations with grey paint,” Sim said. “He did it all by hand, and kept in his head how the seps would overprint to create complementary colors when it was printed.” Did you know this, Dan? I didn’t, and it was like some guarded secret had been revealed to me, production nerd that I am. Sim said that the color articles sound like they are turning into this complicated tangential narrative, that’ll turn into “a book about out-dated color printing processes that no one knows anything about, ha ha!” And I thought, “Hell, YES! That’s my kind of book!”

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Shameless self promotion department:

I’ll be in Columbus, OH this saturday, mars first, for the SPACE comic-con. I’ll have copies of a two new Cold Heat zines. One by me solo and one by Dash Shaw. I’ll be rolling with Jim “Real Deal” Rugg. See yinz there.

Cover to Dash’s Cold Heat Special #3

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Frank’s love letter to Ogden Whitney (I could almost see the tear stains on my monitor) revived my dream (shared by Frank, as well as Bill Boichel) of releasing a “best of Ogden Whitney” book through PictureBox. Yes, it is a grand fantasy. And, in this day and age of newfound celebrity for Fletcher Hanks, perhaps it’s possible. Maybe. So, I put it to you, dear readers, would you buy a $25, 144 page full color collection of the best of Ogden? 50 pages or Romance, 30 pages of Sci-Fi, 50 pages of Herbie and maybe some super hero and crime stuff thrown in for good measure? Hmm? Take this poll and let us know. Why, this could be a Comics Comics brand book for all we know! Imagine that!

Also, an original art dealer recently told me that he heard from Ogden Whitney’s son. He has since lost the contact info. Now, as far as I know Whitney didn’t have any children. But, if you know different, or, if you’re related to him, please email me: dan (at) pictureboxinc.com.
Thanks.