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Oh my, what’s this? A preview of Sounds and Pauses: The Comics of David Mazzucchelli curated by yours truly? Could it be? iPhone photos have a wonderful way of obscuring detail (or at least mine do) so I’m not giving too much away here. Anyhow, it’s now up and viewable at MoCCA and there’s an opening reception June 6, 7-9 pm. The show, which I’m really quite proud of, features work from throughout David’s career, with a special focus on the art for his forthcoming book Asterios Polyp. David designed the exhibition itself, making it a wonderfully immersive experience. There’s work here that even the most hardcore Mazzucchelli obsessive will find surprising. Anyhow this 4-month long process has confirmed David’s unique comics genius for me, and I couldn’t be more pleased to be involved. So, here are a few blurry pix of the show…

That’s it. The above 3 are of course details of the installation. You have to go see it to put all the pieces together. And keep an eye out at the MoCCA festival for David’s wonderful exhibition poster.

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1. Listen to Dan’s interview with C.F. from this year’s MoCCA, courtesy of Indie Spinner Rack.

2. Go see Gary Panter and Devin Flynn on Saturday at Amoeba Music in Berkeley. Or see Gary later in the day at Park Life in San Francisco at 8 pm.

3. Prepare for Lauren R. Weinstein’s signing for The Goddess of War at Rocketship in Brooklyn Saturday night by taking a photographic tour of her studio.

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My favorite comic at MoCCA, honestly, was Benjamin Marra’s Night Business. A disciple of Paul Gulacy in spirit, Marra embodies a certain verve that I find refreshing in these mopey times. It may be a little too hardcore, too fanzine-ish for some Comics Comics readers, but for me, it’s a breath of fresh air, and a surprising find at MoCCA.

The story of a stripper who won’t be bought and a killer on the loose, Night Business trucks in noirish genre tropes but renders them with such detail and conviction that the woody dialogue and relentlessly stark lighting go down smoothly and enjoyably. I like the overall feeling of the comic and feel as though Marra is trying to single-handedly restore some “order” to comics. Marra’s layouts do most of the work, providing a structure for his detailed scenes — murder, XXX dancing, fights with a capital ‘F’ — and it sports one of the coolest covers I’ve seen in awhile. It’s totally over the top and worth checking out.

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So, since we’re all recovering here at Comics Comics from the insane heat wave of the last few days and the MoCCA festival I thought I’d try to jot down a few things for posterity. It was a good show, I thought, no? PictureBox table was killing it all day. Lauren Weinstein held it down both days debuting the magnificent Goddess of War, which may just be the best comic to come out this year so far. Gary Panter hung out for a bit, signing. CF was there. Michel Gondry arrived when we were all signing and it sort of became surreal. Especially during the fire drill when we were all standing on the corner of Houston and Lafayette and I thought to myself this is like a dream sequence in one of Gondry’s movies, weird. Fun, but weird.

Um, I did my lecture at the MoCCA gallery (thanks Kent!) and it probably couldn’t have gone better. It was a big relief. So for all of you folks who missed it fear not because it was recorded. More on that soon. (Thanks Tucker! Thanks Nina!) And thanks to everyone who came out and supported my wacky rantings, specifically: Tim Hodler, The CCC crew, Alex Holden, Tom K, Dash Shaw, Jon Vermiliyea, Blissy Higgs, R Siroyak, Chris Mautner, Jog, and everyone else who was there whom I can’t remember by name. It was your enthusiasm and interest that made it a good talk or at least fun for me. There were like 7 or 8 people who came up to me afterwards and were extremely positive, which was really rewarding. Thank you, thank you. Honest.

Oh, and for all of you who were there who didn’t get one of my handouts, I will be reprinting them and will make them available. Just send me an email and I’ll get you one eventually.

I’m planning on doing a nice article on the Closed Caption Comics crew who were out in force at this year’s MoCCA. They are a pretty amazing group of artists with strong individual voices. I recommend their blog to get acquainted, CCC, until the article finds its way on to this blog and into the magazine. Most of the CCC artists are printmakers and they embody a particular spirit in comics that I think is extremely important to cultivate. Meaning that if you don’t learn how to make your own books from scratch and familiarize yourself with the ins and outs of how do it all: writing, drawing, printing, distributing, selling, promoting at shows — then you are missing something. And the CCC crew do it all.

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The PictureBox site is mysteriously sick right now, so here goes:

PictureBox will be at the MoCCA comics festival this weekend at NYC’s Puck Building (At the corner of Lafayette and Houston).

We will debut the following books and zines:

-Goddess of War by Lauren Weinstein
-Cold Heat Special by Jim Rugg and Frank Santoro
-Core of Caligula by CF
-We Lost the War but Won the Battle by Michel Gondry
-Crazy Town by Paul Gondry
-Bicycle Fluids (not) by Matthew Thurber
-Faded Igloo by Jim Drain
-The Museum of Love and Mystery by Jim Woodring (a Presspop edition)
-Cold Heat Special by Ryan Cecil Smith

Michel Gondry, Paul Gondry, Gary Panter, Frank Santoro, Lauren Weinstein, CF and Matthew Thurber will all be in attendance.

The schedule is:

Saturday:

11-12: Frank Santoro and Lauren Weinstein
12-2: Michel Gondry, Paul Gondry and Lauren Weinstein
2-3: CF, Frank Santoro, Gary Panter
3-4: Gary Panter, CF, and Lauren Weinstein
3:45-4:55: Frank Santoro Lecture @ MoCCA!
4-5: CF, Michel Gondry, Paul Gondry
5-6: CF and Dan Nadel in Conversation @ MoCCA!
5-6: Lauren Weinstein, Michel Gondry, Paul Gondry

Sunday:

11-12: Frank Santoro & Lauren Weinstein
12-2: Michel Gondry, Paul Gondry, Lauren Weinstein
2-3: Frank Santoro, Matthew Thurber, Lauren Weinstein
3-5: Michel Gondry, Paul Gondry, Matthew Thurber

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I’m going to be giving a lecture at MoCCA on saturday June 7th at 3:45. I hope that anyone who enjoys this blog, or my approach to comics, will come out.

It’s going to be about static and dynamic symmetry in art and how it applies to comics. There’s a couple handouts and I promise it won’t be boring. I’ve been keeping notes, preparing for it for weeks now, so I can promise you that it will be informative and entertaining.

I do a great Swannee.

and also, of course, Dan and Tim and I will be our usual peppy selves at the Puck Building on saturday and sunday for the actual MoCCA festival.

June 7 Saturday 3:45pm MoCCA Gallery, 594 Broadway (Suite 401), just below Houston.

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There were no mishaps at the printer. Tomorrow is CC-Day.

And tonight is New Mutants night.

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Assuming there aren’t any disasters at the printer, the new issue of Comics Comics will finally debut this weekend at the MoCCA festival in New York, and it’s probably the best one yet.

This time around:

*Sammy Harkham interviews Guy Davis (and they collaborate on a beautiful new cover)

*The legendary Kim Deitch explains the Meaning of Life

*Dan has some bones to pick with the Masters of American Comics show

*David Heatley and Lauren R. Weinstein in conversation (they also collaborated on a brand-new oversize drawing)

*The long-awaited (by me) conclusion to my article on Steve Gerber

*The beloved Joe McCulloch on Mutt and Jeff

*An illustrated list from Renée French

*An amazing back cover by Marc Bell

*Plus a terrific new redesign from Mike Reddy, the debut of our new letters page, hilarious Matthew Thurber cartoons throughout the issue, somewhat more careful proof-reading, reviews of The Avengelist, Casanova, “Curse of the Molemen”, GØDLAND, The Immortal Iron Fist, Reading Comics, Ronin, Self-Loathing Comics, Swamp Preacher, and more!

So stop by the PictureBox table (A14-16) this weekend to pick it up (there’s plenty of other new stuff and some great signings, too), and if you won’t be able to make it, keep your eyes open. It should be out in stores in early July.

Does YOUR favorite store carry Comics Comics?

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Well now PictureBox has big plans this weekend. We’re releasing Matthew Thurber’s 1-800 MICE #2, Comics Comics #3 and The Ganzfeld 5: Japanada! at MoCCA at NYC’s Puck Building, all day Saturday and Sunday, booths A14-16. Lotsa signings all weekend:

Saturday

12-1: Lauren Weinstein and Matthew Thurber
1-2: Gary Panter and Brian Chippendale
2-3: Paper Rad
3-4: Mark Newgarden and Megan Cash
4-5: Brian Chippendale and Frank Santoro
5-6: Taylor McKimens and Dan Nadel

Sunday

12-1: Taylor McKimens and Matthew Thurber
1-2: Lauren Weinstein and Brian Chippendale
2-3: Paper Rad
3-4: Dan Nadel and Frank Santoro

Patrick Smith: “Caterpillar”, 40″ x 48″, oil on canvas

AND! I’ve curated an exhibition opening Friday night!

CANADA
“New Mutants”
Curated by Dan Nadel for PictureBox
Opening Friday, June 22, 7-9 pm.
Artists in attendance.

CANADA
55 Chrystie St.
NYC 10002
Wednesday – Sunday 12-6 pm.

The artists:

Melissa Brown
Brian Chippendale
Julie Doucet
C.F.
Trenton Doyle Hancock
Ben Jones
Amy Lockhart
Sakura Maku
Frank Santoro
Patrick Smith
Michael Williams

The show:

CANADA presents an exhibition of imagist paintings by emerging North American artists. This group of artists is linked by its unabashed use of representative imagery in service to surreal and oblique narratives. These artists find their lineage in the midwestern explorations of the Hairy Who, deep dish surrealism of Gary Panter, the raw beauty of H.C. Westermann and the fantastics of Max Ernst. Like their artistic ancestors, the artists at hand use a private symbol language to assemble communicative pictures. This is not decorative psychedelia or overheated allegory, but rather deeply personal and formally constructed images marked by an absence of irony and an attention to the formal elements of a cartoon and vernacular based vocabulary.

Five of the eleven artists exhibited are based or have roots in Providence, RI’s fertile arts culture. Melissa Brown’s (now based in Brooklyn) mixed media landscapes elevate the horizon to an experiential hallucination, while Brian Chippendale’s collaged images enact his own cartoon narratives on an epic scale. C.F.’s all-over images accumulate dozens of small moments, forming an idea of a distinct visual sensibility. Ben Jones, of Paper Rad, presents flattened portraits of anonymous cartoons in search of a plot, while Michael Williams paints midlife crises of universal hippies. Exiting Providence, Vancouver’s Amy Lockhart’s paintings are meticulous visions of characters in midstream, while Texan Trenton Doyle Hancock’s tactile visions of his Mound-world capture a brief narrative moment. Julie Doucet, based in Montreal, creates painted objects that function like images–her drawn vocabulary suddenly occupying three dimensions. Pittsburgh native Frank Santoro combines a comic book sense for action with a traditional painter’s attention to detail. Two New Yorkers are engaged in painted introspection: Sakura Maku used texts to layer and subvert her jangly images; Patrick Smith’s portraits of spaces and faces made of and living through surreal forms are striking passageways into another consciousness.

All of these painters refuse to be pigeonholed, allowing themselves and their images to change and mutate through multiple media.

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Ok, there were some real material benefits of MoCCA besides the aches and pains described below. I picked up two excellent comics (and some other really good ones, but these stand out).

First, Knitting For Whitsun by John Bagnall. Bagnall is a British cartoonist who has been around since the ’80s. He tells particularly English stories with a smooth, sinewy line that’s somewhere between psychedelic and, as he puts it, ‘musty’. His attention to the particularities of Englishness brings to mind vintage Kinks songs; it’s all in the carefully chosen details and dry, bemused wit. He has some fine features, like “Disappearing Phrases”, about exactly that in British culture, as well as reprints of weekly comic strips that, Ben Katchor-like, examine Bagnall’s urban English terrain. Bagnall has something to say and a lived-in voice that makes these tales a pleasure to read. Highly recommended.

And second, Kim Deitch was sitting down the row from the PictureBox booth selling his wares and dispensing wisdom. I picked up a copy of BANZAI!, a 1978 title by Deitch and underground peers Roger Brand and Joel Beck. Kim wryly told me that he’s the only living artist of the three; Brand and Beck apparently both lived a bit too hard for their own good and passed away in 1985 and 1999 respecitvely. Anyhow, this comic book contains a couple of stories by each artist. Deitch’s central piece is a hilarious romp about a porn store robbery and features one of his more arresting images (it involves a bullet and a blow up doll). Beck’s stories are amusing anecdotal yarns, but the real surprise here are Roger Brand’s two stories. Brand was an assistant to Wally Wood and it shows. One story, “In More Innocent Times” documents Brand’s youthful excesses in Berkeley in fine lined Wood detail. Another story, “The Longstain Taint”, is a Faust-like story of compromise rendered in thick brushstrokes reminiscent of (that other icon of comics) Harvey Kurtzman’s best 1950s work. It’s compelling reading and Brand seems engulfed by it. The stories are verbose and densely rendered, reeking of a kind of desperation you don’t feel much anymore. They read like stories that had to come out. I never thought much of Brand, but these two tales make me want to explore him a bit more. I often forget that much of the underground was about telling stories of all kinds and packing as much into a short story as possible. It’s a ’50s comic book model, rather than than a literary one; constrained by the boundaries of the comic book genre at the time. The ambition was in the work at hand, not the career. BONZAI! is a great glimpse at some fine work by the still-top-of-his-game Deitch and two underground talents that never quite made it.

Finally, I got to spend some time with PShaw, the Boston-based cartooning enigma. I highly recommend all of PShaw’s comics (particularly his Strings book), and was lucky enough to have a look at his original art as well. His meticulous lines and ink washes are miracles of cartoon imagery. We hope to feature him further in an upcoming issue of our little mag.