Archive for December, 2010

PIX 2010 audio interviews


by

Saturday, December 18, 2010


Read Comments (14)

Hello and welcome to ComicsComics weekend edition. This week I am presenting a slew of interviews I conducted with a plethora of cartoonists who exhibited at this year’s Pittsburgh Indy Comics Expo. Some of the names may be well known to you while others may be appearing on your radar for the first time. I had a lot of fun doing these interviews. It felt very old world fandom or something. Thanks to everyone who participated for putting up with my antics. And if I missed you this year, look for me next year.

The marquee interview of the show – Kevin Huizenga and Jim Rugg – is archived here at Inkstuds. All other interviews are presented after the jump. Check it out! (more…)

Labels: , , , , , , , , , , , , , , , , , , , , , ,

NEWSFLASH: “Comic Book” Is Still More Popular Than “Graphic Novel”


by

Friday, December 17, 2010


Read Comments (10)

You may have seen people using Google’s new Ngram program today. I gave it a try myself with a pretty obvious comparison.

This chart compares the usage of the two terms in all books printed between the years 1900 and 2008, at least among those that have been scanned into Google. Nothing really surprising here in terms of when the terms take off in public consciousness.

Here’s 1930 through 2008, for a slightly clearer picture:

So nothing major to report here, I guess, but idle curiosity sated. Enjoy your weekend.

UPDATE: As suggested by Robert Boyd in comments, here are the 1900-2008 results with the term “comic strip” added:

Labels:

Check please!


by

Friday, December 17, 2010


Read Comments (6)

Personal Day

Oh hi! I’m taking a “personal day” today, so this post will be mostly promotional in content, with only a few memorable zingers for you to carry with you for the rest of the day. But really, you’ve had two epic Jog posts this week. What more do you want, people?

Earlier this week Gabrielle Bell immortalized me in comic strip form. I feel humbled, flattered, and yet exalted.

But much of the last two weeks has been taken up dealing with PictureBox stuff, which brings me to the promotional part of this post: There is a TON of new stuff in the shop, most of which will arrive by X-Mas is you order by Monday.

I have, of late, been fishing through bins and finding a few treasures, like D.O.A. Comics, the one-man anthology by the late, great Jim Osborne. Or the anonymous and amazing Junk Comics. Of course there is always some Marshall Rogers and some sweet Moebius.

(more…)

Labels: , , , , , , , , , , ,

High School Confidential


by

Wednesday, December 15, 2010


Read Comments (2)

Teddy Shearer cartoon.

Will Eisner went there, as did James Baldwin and Richard Avedon. Bob Kane went there, as did Bert Lancaster and George Cukor. Bill Finger went there, as did Neil Simon and Lionel Trilling. Stan Lee went there as did Stanley Kramer and Irving Howe.

DeWitt Clinton High School in the Bronx has a storied past as a hothouse incubator of all sorts of artistic talent, in both comics and elsewhere. So I was delighted to find a website that reprints material from the schools literary magazine from 1929-1941. Go there and see the juvenilia of James Baldwin, Stanley Kauffman and Robert Warshow, among others. For comics fans, of especial interest will be the cartoons of Teddy Shearer and Mel Casson.

Speaking of Warshow, I’ll remind everyone of something Tim usefully pointed out awhile back, that Warshow’s brilliant essay “Paul, The Horror Comics, and Dr. Wertham” is available online. It’s a central document for discussing comics history.

Labels: , , , ,

THIS WEEK IN COMICS! (12/15/10 – An honest to god Moebius release via Diamond.)


by

Tuesday, December 14, 2010


Read Comments (53)

In the interests of maintaining some semblance of momentum for these BCGF posts, I will now present as the obligatory opening ramble to the weekly upcoming comics column a gallery of recent alternative-flavored manga art culled from the December 2010 issue of Morning 2, purchased over my NYC weekend.

Don’t let the cover art by Hiroyuki Ohashi fool you – this is a high-profile spin-off of a major anthology from a Big Three manga publisher (Kodansha), and the alternative comics ‘flavoring’ typically goes to surface visual style, with content remaining somewhat straightforward compared to what you’d find in Ax or Comic Cue. But then, seinen manga tends to be more expansive in terms of subject matter than any mainstream North American comics, so it sort of levels out.

Anyway, feel free to scroll down for this week’s blind picks. Moebius!

(more…)

Labels: ,

Comics: BCGF ’10 (Pt. 1)


by

Monday, December 13, 2010


Read Comments (16)

"Matt Groening? Eh."

On Saturday, December 4, 2010, the 2nd Brooklyn Comics and Graphics Festival was held in Our Lady of Mt. Carmel Church in Williamsburg. The organizers were the retailer Desert Island, the publisher PictureBox, and the writer Bill Kartalopoulos. In that the proprietor of PictureBox, Dan Nadel, is also an editor of this site, I’ll refrain from a minute-by-minute show report, although rest assured everything was absolutely perfect and most of the sick and lame were healed, save for myself – I am still extremely lame. However, I also found a bunch of comics at and around the show. Here’s a few of them. (more…)

Labels: , , , , , , , , ,

Kevin H and Jim Rugg interview


by

Sunday, December 12, 2010


Read Comments (4)

Hello and welcome to Comics Comics weekend edition. I am your host, Frankie The Wop. In an effort to promote more crossover blog warfare, I have asked Mr. Robin McConnell over at the beloved Inkstuds to host the audio portion this week’s program.

I spoke to Mr. Kevin Huizenga and Mr. Jim Rugg at the Pittsburgh Independent Comics Expo (PIX) back in October of this year. Organized by Copacetic Comics and the Toonseum of Pittsburgh, PA, this event may be the beginning of something special. Very laid back, very beautiful location and all the indy comics you could hope for in western PA, it was a successful show. I think it may pan out to be an important show for midwesterners as there aren’t too many indy shows for regional creators. (Pittsburgh is basically halfway between Chicago and New York for those who can’t imagine it on a map)

I also spoke with many of the exhibitors and attendees at PIX. I will be posting those interviews hopefully in the coming weeks. Truth is, I’ve had some difficulty with the audio files and am trying desperately to preserve them. So, if I did interview you or your friends at the show, please forgive the delay in making them available. Thanks.

Click on the link below and head on over to Inkstuds. Make sure to open another tab while listening to the audio and check out Robin’s tour diary where he visits Al Columbia, Steve Bissette and others. Sounds like a fun trip (I’m jealous!).

Kevin Huizenga and Jim Rugg in conversation. Annoyingly moderated by Frank Santoro.

Labels: , , , ,

The Problem Solverz Are Back!


by

Friday, December 10, 2010


Read Comments (22)

You might have been asking yourself, what’s Ben Jones been up to? Well, kind people, he is in Burbank, CA right this minute, working long days on his Cartoon Network series, The Problem Solverz. His first season, which was written with Eric (Futurama) Kaplan, is in the middle of production, with an air date sometime in 2011. This is not, as some of you may know, Neon Knome, which was an Adult Swim project that sprung briefly to life. This new show is, if anything, a more pure expression of Ben’s longtime characters, Horace, Roba, and Alfe. It perfectly exemplifies Ben’s genius for character, dialogue, and strikingly beautiful world building. Below is a clip from the first episode — it’s not complete, but gives you a flavor for this new and wonderful series. If you like it, click on over to YouTube and say so. We are also taking any and all “fan art”, which you can send to me for posting at dan (at) pictureboxinc (dot) com.

Labels: , , , , ,

The Most Amazing Review of the Year


by

Thursday, December 9, 2010


Read Comments (107)

Recapping television shows must be draining. Or at least one assumes such to be the case, based on the energy the writers at the Onion’s A.V. Club seem able to muster when writing about comics. One of the keenest joys available for the connoisseur of online comics criticism lies in noting the crazy letter-grade equivalences that pop up in each installment of the A.V. Club’s semi-regular “Comics Panel” feature. Ah, the intellectual whiplash that results from trying to understand what kind of schizophrenic groupthink could lead to assigning Chris Ware’s latest issue of Acme Novelty Library the exact same grade (A-) as the latest undistinguished revamp of T.H.U.N.D.E.R. Agents.

To a certain kind of masochist (and don’t all comic-book fans members belong to that persuasion?), this is a fine headache-inducing brew indeed, fer soytin. If you haven’t discovered this pleasure for yourself, search the archives; there is much to savor.

Don't be fooled by this photo — the book does not yet exist!

But all of that pales next to the A.V. Club’s latest and greatest feat, their review of Dean Mullaney & Bruce Canwell’s Genius, Isolated: The Life and Art of Alex Toth.

Here is the text in full, as published in the Comics Panel of November 5:

The latest in a flood of biographical collections of Golden and Silver Age comic-book artists, Genius, Isolated: The Life And Art Of Alex Toth (IDW) is easily the classiest of the group. It’s not only that the book is handsome, beautifully designed, and lengthy, with lots of rarities (including the terrific “Jon Fury” material Toth produced in the service). Nor is it that it’s much better written than most such works, by tested comics researchers Dean Mullaney and Bruce Canwell. It’s that Toth himself is an incredibly fascinating figure. Even if he were only known for his comics work, he’d be considered one of the greats. Genius, Isolated presents enough material showing his brilliance at action drawing and character design to firmly make the case that he deserves the deluxe biographical treatment. But Toth was also a fascinating person, an outspoken critic and defender of the comics medium, a pioneering animator, and a great cartoonist. He’s one of the great characters of the medium, as well as one of its best practitioners, and a worthy subject for this essential biography… A

What makes this review so impressive, of course, is that the book in question not only had not been published at the time of publication, it had not yet even been finished! Bruce Canwell was still researching the text (and is still making final touches on it), and Dean Mullaney is still working on the book’s final design. These facts make one wonder how the A.V. Club can so confidently dismiss the writing and praise characterize the writing and design of the book (much less compare it to other reprints), but it is probably not wise to speculate too far.

I wrote Mullaney about all of this, and asked him if he remembered his initial response to the review. Mullaney’s reply: “Surprise, at first. Then confusion. I thought perhaps I was on Earth-Two, where the book had already been published. Then mild pleasure in noting that we received the highest rating of the week!”

Genius, Isolated will be sent to printers in January, and is scheduled for a mid-March release. Considering the subject, authors, and publisher, it will almost certainly be excellent. I’ll wait until I see it before I say for sure, though.

For more information, go to the Library of American Comics website.

UPDATE: The A.V. Club’s Keith Phipps has responded in comments, and explains the situation in about as gracious and straightforward a way as anyone could reasonably ask, here and here.

In addition to that, Phipps has posted an apology and explanation at the A.V. Club itself, which can be read here.

Labels: , , , , ,

Read CNQ


by

Wednesday, December 8, 2010


Read Comments (8)

Front half of Seth's wrap-around cover, CNQ 80

The new issue of Canadian Notes and Queries (CNQ) is now on stands and, as with the last issue, there is much in it of interest for comics fans. Seth’s design work, which premiered in the previous issue, really gels this time around. The writer Kerry Clare recently enthused that CNQ is “is the most beautifully designed magazine in the world right now, and I’m not even exaggerating.” Like the best recent graphic novels, the entire magazine hangs together visually as a total package.

Among the comics related items of interest: a gorgeous Doug Wright scene from Juniper Junction (a very different strip than Nipper or Doug Wright’s Family); Joe Ollmann’s adaptation of Marian Engel’s Bear, a novel about ursine love; and a new Seth strip featuring Hudson and Stanfield (a strip that is intriguingly linked to earlier Seth book). The wrap-around cover that Seth did is much lovelier than the little snapshot I’ve provided here.

(more…)

Labels: , , , , ,