Fusion notes
by Frank Santoro
Saturday, July 31, 2010
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But all that is so inside baseball. I guess it’s from working at Copacetic. Like I can’t explain a lot of comics to customers in “comics terms” cuz most of our customers are fairly new to comics. So me explaining that it is Kindt’s brushwork that keeps this rollicking tale from coming across as a re-hash, or that his brushwork is, to me, a flowering of the alt 90’s Mazzucchelli/Pope bang-it-out approach and is a beautiful counter-point to all the slick photo-reffing schlubs who can’t draw an action scene to save their lives—that just barely makes sense to them, or maybe even to you, True Believer. But I gotta try, and will, for you, Believer, before I move on to how I pitch it to the lay people. (more…)
This was a big week for a fanboy/wanna-be-critic like myself. Can you say “paradigm shift?”
Let’s count ’em off: Bulletproof Coffin #2, Orc Stain #4, King City #7 (I know, that came out weeks ago but I missed it and had to re-order it), The Man with the Getaway Face preview, and the new Matt Kindt graphic novel, Revolver. What was I saying about the Direct Market being dead? Sorry, I was high. This has been a great summer already for my new drug: Fusion comics. My term for what Charles Brownstein calls “Boys Comics.” And the Direct Market is delivering my fix, so who’s complaining?
Leading off, The Bulletproof Coffin #2 By David Hine and Shaky Kane. This is my dream comic. I’m in love. This comic is my girlfriend. At this point I wouldn’t care if she fucked my best friend. This comic can do me no wrong. For me, it’s a perfect mashup of styles that POPS with bright colors and dripping blood. The whole book looks really sharp, I think, and the story’s clever unfolding owes a lot to its design. There’s another comic-within-a-comic interplay (Shield of Justice cover to your left) that twists up the story and makes it all swing. If you couldn’t find issue one, I’d say you could still jump on board with #2 and not miss the train. There’s a great synopsis on the inside front cover that made me laugh. Reads like a comic book, like serial entertainment. And for me, really, it’s just the joy reading a Shaky Kane comic. Talk about Fusion – Shaky’s able to somehow subtly, easily shift styles that it really creates a jarring, discordant note in the story. (more…)
Like some haunting refrain of a long forgotten pop song or like David Lynch’s dreamy, uneasy nostalgia – Shaky Kane’s comics take me away to a place in space that is beyond past or future.
Written by David Hine, The Bulletproof Coffin is finally a vehicle for Mr. Kane to stretch out in and take us all for a ride. Hine has provided Kane with three narrative levels to engage the reader. There is reality, there is fantasy and there is the documentation of reality, y’know, simulacra or whatever it’s called. And Shaky Kane, the guy who has to draw it all, wisely chooses three styles to depict each realm. The styles are different enough from each other yet cohesive enough to make it all “hang together” narratively as well as symbolically.
Say what?
The story concerns a company that hauls away dead people’s stuff. Well, they’re more like Repo Men. Scavenging valuables before it all ends up in a landfill. One of the movers, Steve Newman, likes to cherry pick choice bits from each estate he visits. He has a collector’s mind and fills his “den” at home with lots of pop culture detritus: old toys, a Manson poster, rayguns, old TVs, old comics; the usual stuff for a guy who likes wacky shit. It’s an interesting way to pinpoint exactly what type of guy Newman is. He’s obsessive and probably a little like you if you’re reading this blog about comics.
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*Night Business needs to go full color! Did you see Ben Marra’s story in the Diamond Comics #5 newspaper? Start a Kickstarter for that, Ben! Make a business plan that involves turning the book into a video game or something. Anything. Just go color!
*I was at a crazy comics warehouse out in the middle of nowhere looking for something and heard the local kids talking the usual Marvel/DC smack. Then one of them declared he loved Scott Pilgrim. His friend said, “I thought you were being sarcastic when you said that before … and now I think you’re serious.” Eventually the Scott Pilgrim fan convinced the kid in the Green Lantern shirt to buy volume one of Scott Pilgrim. Cue the doves and violins.
*Jim Rugg, Tom Scioli, and I were driving back from the crazy comics warehouse out in the middle of nowhere and talked the whole time about web comics and counting off favorite cartoonists who have let the industry crush them, crush their souls, dreams, haha, y’know, just a casual drive under gathering dark clouds. We weren’t having this discussion last summer. That was the Direct Market is over talk. And the summer before that was the Kramer’s Ergot 7-Final-Crisis-countdown. Just sayin’. And then I come home and read on CR that DC Comics just announced their digital comics initiative.
*Copacetic Comics has moved to a new location. Here’s the local Pittsburgh Post Gazette article on the new store. I’ve been working on Sundays and it’s been awesome. So much room, literally up in the clouds, third floor of a building on a hill overlooking some of the most beautiful parts of this wacky town. I just love it. Bill Boichel, the owner and my hero, seems like he’s a new man. The customers are arriving in droves. Old and new. It’s like Bill’s old store back in the ’80s where we could all just hang out and shoot the shit. The coolest thing is watching the local kids come in and buy dollar comics. I sold 10 Iron Mans and ten Thors to two little kids the other day. Now that we have the room to put out all of Bill’s back stock we can really offer bargains. Lots of locals have been bringing in their own zines and comics to sell. It’s quickly turning into an “interzone” to be proud of, what with Mind Cure Records and a coffee shop in the same building.
*Bill Boichel gave a lecture at the Carnegie Library tonight in Pittsburgh. Tom Scioli, Ed Piskor, Jim Rugg, and I were in attendance. Bill gave the usual spiel about watching comics grow from obscurity to mainstream acceptance. And then I argued with him that we’ve been having the “comics aren’t just for kids” discussion for 20 years and I’m tired of it. Bill retorted that it’s “all gravy” as far as he’s concerned. “If you were running a comics shop like I was 25 years ago, you wouldn’t care that we’re still having that discussion.”
*Tom Scioli, the local self-publishing powerhouse, recently wrote me an email saying, “I’ve left the world of print behind (not really). Check out my new ongoing web comics, American Barbarian and 8-Opus.” Yes, check ’em out, True Believers, Tom’s idea of a short story is about 100 pages, so you hang on for a long ride.
*Ed Piskor, the other local self-publishing powerhouse, recently went to Denmark with heavies, R. Crumb, C. Ware, C. Burns, and D. Clowes. That’s right, you heard it here first, now Eddie is going by “E. Piskor” to reflect his new star status.
*Jim Rugg, I’m happy to report, is “not so intense” since Afrodisiac has been released and subsequently sold-out it’s first printing. Here’s Jim’s poster for new Copacetic Comics location.
*There was a Steve Niles signing here in Pittsburgh. I’ve never read his comics but I love pointing out that he was in Gray Matter! Scroll to the bottom of this page to see his recordings. One of my favorite bands out of the DC hardcore scene.
I posted it on my back issue blog. Check it out!