Posts Tagged ‘video’
by T. Hodler
Friday, January 8, 2010
Finally, the Year We Make Contact. What better way to celebrate than with an all-CC links roundup?
2nd: The Daily Cross Hatch begins a multi-part interview with the always voluble Frank Santoro.
5. I think Dash might have a book out this week or something?
6. And finally, this isn’t the most interesting video in the world, but it seemed important to post, if only for the light it sheds on the now apparently settled-for-good Mort Drucker controversy. I still don’t understand that quote from the book I mentioned, though…
Labels: Dan Nadel, Dash Shaw, Frank Santoro, Jeet Heer, Joan Reidy, Mort Drucker, Ron Regé Jr., Tom Spurgeon, video
by T. Hodler
Wednesday, August 19, 2009
I’m busy, people, what can I say? Luckily, Frank and Dash and Jeet are doing an awesome job and my presence is entirely superfluous. Anyway, this time I couldn’t even come up with three things to link to. All the same:
1. You all know the great blog Same Hat, right? If for some reason you don’t, go there now to see a massive post with lots of photos and video from Yuichi Yokoyama’s recent live painting demonstration in San Francisco. Then “bookmark” it. (Or whatever you’re supposed to say these days.)
2. Matthew Thurber made the drawings you see above and the right sidebar. He is a very funny and talented guy. He recently sat down for a panel discussion as part of the CBLDF’s Conversational Comics series at Brooklyn’s Union Pool (with Jessica Abel and Jason Little). You can listen to the audio from that panel here.
(The audio for Dash’s panel from last weekend will probably be up shortly, so stay tuned.)
Labels: audio, CBLDF, Matthew Thurber, video, Yuichi Yokoyama
by Dan Nadel
Friday, July 31, 2009
As Tim noted below, I seem to only post PictureBox-related crap. And true to form, here’s another one. But never fear! I am working on a long review of The Hunter. That will happen soon and my good name will be cleared. Anyhow, many moons ago, while in Switzerland for Fumetto, I shot this footage of Yuichi Yokoyama doing a live drawing demonstration. The camera’s a little shaky but it’s still a lot of fun to watch him conjure these faces onto paper. San Francisco denizens take note: Yokoyama will be making his first U.S. appearance on August 15th at the new Viz Pictures store, New People. The store in general looks extremely exciting and Yuichi designed fixtures and other interior details of the store. More details to come. Sadly he’s not able to continue on to NYC or anywhere else this time, but has promised me that he’ll do a proper U.S. tour in the year ahead. So, look out for that! In the meantime, enjoy the picture.
Labels: Fumetto festival, video, Yuichi Yokoyama
by Dan Nadel
Monday, January 26, 2009
A few odds and ends here. I’m sure I’m the last person to know this, but wow, Dark Horse is releasing the first volume of the Jesse Marsh Tarzan series now! His work has an incredible arc to it, from early drawings that look carved from stone to mid-period, more fluid pen lines, to his last scratchy, near-abstract images that Russ Manning claimed was due to his declining eyesight. He was a great artist, and the Tarzan work is among my favorite work of his. There’s a great Jesse Marsh web site here from which I stole the gorgeous image above. Marsh will be in the second Art Out of Time, which I should be working on instead of doing this.
Also, been thinking about Victor Moscoso lately for another project, and friend Norman pointed out an amazing series of animated shorts Moscoso made sometime in the late 60s or early 70s. What I love about these is how it takes him out of psychedelia and suddenly he seems wonderfully in line with drawers like Milton Glaser and Heinz Edelmann. He had the same transformative impulses and shared with Edelmann a pen line of such urgency and clarity that it’s impossible to look away. It’s a sharpness — a tiny bit of grumpiness. Moscoso was certainly the best colorist and overall designer of his S.F. (and perhaps North America in general) contemporaries, but people sometime forget about that wicked penline. The thing that stood out for me the most in the recent Crumb show in Philadelphia was, in fact, the original jam pages Moscoso worked on. Where everyone else looks like they’re carefully cartooning a gag, Moscoso’s marks come on like brush-fire — just decimating the very formidable competition. Just brutal and immediate and delineating modern-psych design forms. Anyhow, enjoy these little films. I don’t know much about them but maybe someone can fill us in in the comments.
EDIT: Someone just did.